top of page
21 NYCBBA df LOGO web.png
9781622883127_cover_visiting hours jpeg.
Screen Shot 2021-05-11 at 6.34.21 PM.png
Screen Shot 2021-06-01 at 11.53.19
Screen Shot 2021-06-05 at 8.07.54 PM.png

Winner of two American Fiction Best Book Awards and the Human Relations Award for Best Book On Family Challenges, Visiting Hours chronicles the cold, clear February morning Mary Interlandi drove to the top of the Nashville Sheraton parking garage and leapt to her death, seven stories below. She was 19 years old. The author had known her and her family his entire life. Visiting Hours chronicles their friendship, her sudden death, and the psychological, social, and political aftermath of suicide.


Click here to purchase a signed copy from the author.


WINNER, Human Relations Book Award, 2021

WINNER, Best Book of Narrative Poetry, American Fiction Awards 2021

WINNER, Best Book of Religious Poetry, American Fiction Awards 2021

DISTINGUISHED FAVORITE, New York City Big Book Award 2021

CIPA EVVY Best Book Award, Runner-Up, 2021

Royal Dragonfly Award, Runner-Up 2021

International Book Awards Book of the Year Finalist, 2021

Julie Suk Book of the Year Award Finalist, 2021

National Indie Excellence Book of the Year Finalist, 2021

Agha Shahid Ali Poetry Prize Finalist, 2018

Hudson Prize Finalist, 2018

Jake Adam York Poetry Prize Finalist, 2017

Georgia Poetry Prize Finalist, 2017

Miller Williams Prize Finalist, 2017

National Poetry Finalist, 2016

Akron Poetry Prize Finalist, 2015


You can also Venmo @themeanderingpoet or CashApp $AndrewPoet $24 with the note “Signed copy of VISITING HOURS.” Please also include your full name and mailing address.


In Visiting Hours, Andrew McFadyen-Ketchum’s words bear fierce witness to Mary, his beloved childhood friend who would grow up to “climb to the roof of one of Nashville’s buildings and vanish,” and we as readers bear witness to all the mystery that her life and death summon. In these pages we are able to traverse beyond the thin scrim that separates life and death, love and loss, and wonder and despair. Here is a book that is incantatory, where we journey, spellbound, through dream-like memories and richly imagined scenes alike. Here is a work full of startlingly marvelous images and here is a heart broken wide open.


Lana K. W. Austin, Author of Like Light, Like Music, Blood Harmony, and In Search of the Wild Dulcimer.

Andrew McFadyen-Ketchum’s Visiting Hours is an elaborately layered and obsessive meditation on death, loss, and the remorse of a survivor. It is also a tribute and a cri de coeur to memory, to all that we remember, whether we want to or not.  When the speaker calls out, “lost children . . . rise / From the river…” they ascend “in the form / Of fallen stars as they glide through the air to enter the geode / Singing from my palms in the mother tongue of the elements.”  This book of poems suggests that in the face of a wound never to be recovered from, the only response is incantation, examination, and song, and that such a response may be the only way to redemption.


Robert Wrigley, author of Earthly Meditations: New and Selected Poems

Visiting Hours is a work of startling truth and fearless imagination. In his second collection, Andrew McFadyen-Ketchum offers a profoundly moving exploration of a suicide that divides the world and the self into before and after.  The speaker asks, “By day does it speak, /Soft mumblings of the grief we carry inside us, /This grief having dropped yet again from its dark nest?” In the wake of suicide, survivors carry their deep grief forever.  And yet this book of lyric meditations bears witness to not only loss but to the power of memory, joy and grace.

Nicole Cooley, author of Resurrection, Breach, Milk Dress, and Of Marriage

Andrew McFadyen-Ketchum’s much-awaited second collection, Visiting Hours, is an elegy to a childhood love lost to suicide at the age of nineteen. Because all elegies are love poems, these poems push the limits of the elegiac form, searching with a lover’s insistence for an adequate container for this unfathomable grief. Writing at the height of his narrative and lyrical powers from his beloved hometown of Nashville, McFadyen-Ketchum weaves an intricate tapestry from the particulars of loss, childhood memories, and intimate musings on time and death. The result is a beautiful and piercing portrait of a survivor’s grief, of one who is not content with easy consolations yet cannot keep from "singing . . . in the mother tongue of the elements/guided by the promise of a better place not so wet/and dark and cold...”


Angela Narciso Torres, author of Blood Orange and What Happens Is Neither




bottom of page